När svenskarna fick snygga badkläder

Göteborg, 1 juli Vad har Victoria Silvstedt, Folkpartiets före detta partiledare Bengt Westerberg, Jannike Björling och Frölundas ishockeylag gemensamt? De har alla varit modeller för Panos Emporio – badklädesmärket som förändrade badmodet inte bara i Sverige utan även i resten av världen. När Panos Papadopoulos startade Panos Emporio 1986 var det svenska badmodet ett färglöst […]

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JY&A Fonts releases 10-weight family, JY Saj, by Slovenian designer Jure Stojan

Wellington, October 12 (JY&A Media) Slovenian designer Jure Stojan’s latest typeface family, JY Saj, has been released through JY&A Fonts.    JY Saj is a 10-weight (five roman, five italic) sans serif typeface family that works particularly well on screen and in print, and in both text and display applications. It balances the artistic and […]

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Ikea will move into fashion next, predicts Swedish author Stefan Engeseth

When fashion becomes cyclical, Ikea could be the company that could come in and break the mould Stockholm and Wellington, October 28 (JY&A Media) Swedish author and business thinker Stefan Engeseth predicts that Ikea’s next move will be into the world of fashion.    Mr Engeseth says that Ikea’s expertise lends itself easily to the […]

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Lucire débuts on French newsstand Scopalto

Wellington, August 7 (JY&A Media) Lucire, one of the world’s longest-running online fashion magazines, has extended its presence by going on sale in France.    Founder and publisher Jack Yan says this is only one of two new-format arrangements readers can expect in August.    ‘We’ve effectively had a “digital-first” strategy since we started 1997,’ […]

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JY&A Fonts adds rupee symbol to majority of range

Wellington, August 9 JY&A Fonts (http://jya.net/fonts), the typeface design arm of Jack Yan & Associates, announces that the majority of its font range now includes the Indian rupee symbol. It is among the first typefoundries to issue fonts with the new symbol.    The fonts are now available for licensing from MyFonts.com and Typos in […]

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