For immediate release JY&A
Media
Contacts:
Jack Yan, Publisher (Wellington)
Lucire
T 64 4 387-3213, F 64 4 387-3213
E jack.yan@jyanet.com |
Summer Rayne Oakes, US Editor (New York)
Lucire
E summerrayne.oakes@lucire.com
|
Ann Fryer, Associate Publisher (New York)
Lucire
T 1 203 979-6166
E ann.fryer@lucire.com
|
Simone Knol, Editor, web edition
Lucire
T 44 7876 701-505
E simone.knol@lucire.com
|
Lucire’s US editor, Summer Rayne Oakes, profiled in Vanity Fair
Wellington, April 26 (JY&A
Media) Summer Rayne Oakes, the US editor of Lucire,
has a two-page profile in Vanity Fair’s ‘Green Issue’ (May
2007).
Ms Oakes, who has been nicknamed the ‘eco-model’,
was profiled alongside other environmentally conscious names. The
special section includes Gov. Arnold Schwarzenegger of California,
Leonardo di Caprio and Robert Redford.
‘It’s a testament to how far ahead Lucire
has been over the last 10 years,’ says publisher Jack Yan.
‘From showing our breakdown of costs to our commitment
to carbon neutrality three years ago—at a time when the term had
not even entered the vernacular—Lucire has been a pioneer.
Summer Rayne Oakes continues that philosophy as our US editor.’
Ms Oakes says of her Vanity Fair spread,
‘The fashion and media industries are and have been a great tool
for me to communicate larger sustainability topics. We all wake
up in the morning and get dressed. That is a universal commonality
that we all share, so why not use it as a tool to connect us to
greater issues, like environmental health, conservation, climate
change and social justice?’
Ms Oakes was acting editor of Lucire for
two issues at the close of 2006 and had been a contributor to the
magazine since 2005. Her ‘Behind the Label’ specials are a regular
insight into green fashion.
Condé Nast’s Vanity Fair hit US
newsstands on April 7. It arrives on New Zealand shelves around
now.
Images
Images for this release may be downloaded at <http://jya.net/070425pr0.htm>.
About Lucire
Lucire, the global fashion magazine (www.lucire.com),
started on the web in 1997. In October 2004, it became the first
magazine in its sector to extend its brand into a print magazine.
By May 2005, it became the first web magazine to spawn two national
print editions. Lucire became the first fashion industry
partner of the United Nations Environment Programme (UNEP, www.unep.org).
It is headquartered in Wellington, New Zealand and published by
Lucire LLC. For print edition information, see <http://www.lucire.net>.
About Summer Rayne Oakes
Born on a rainy summer day in an old coal mining community of northeastern
Pennsylvania, Oakes was naturally curious about her surroundings
from the start. Her early interest in art and nature propelled her
at six years of age to begin advanced art courses normally reserved
for students much older than she. By 10 years of age, her fascination
with American Indian and world cultures began to shape her interests;
photos and stories from sources like Edward S. Curtis, National
Geographic, natural history field guides, and her own backyard
began largely influencing her artwork, writings and lifestyle.
At age 13, Oakes began serving on the Environmental
Advisory Council in her township and focused much of her attention
on extracurricular activities, including sports, peer education,
teen suicide prevention, community service, and environmental and
scholastic teams. After having visited the picturesque Cornell University
campus in Ithaca, NY that same year, Oakes set her sites on attending.
Due to financial concerns while being raised by
a single mother, Summer Rayne began living on her own at 15 with
her focus on college never wavering. Her early decision acceptance
into Cornell came shortly after and the young Oakes began working
on a number of research issues ranging from stream ecology to human
health issues from sewage sludge application. At that time, she
realized she may not be maximizing her potential for creating a
shift in mindset. From her core love for environment and social
issues, Summer Rayne had a desire in infiltrating the issues into
mainstream audiences. By combining her past love for artful expression,
her innate curiosity, hard work, and natural beauty, Oakes began
modeling during her time at college to get closer to change agents
within the fashion and media sectors.
Summer Rayne worked across long distances and
began working for clients such as Nicole Miller, Occhiali da Sole,
StockinGirl, Zimmerli, Carasan, D'Angelo, the Beauty & Fashion
Channel, and others while maintaining a rigorous school schedule,
research, and the unfinished development of a collaborative environmental
and avant-garde project (Organic Portraits), which won the
support of a National Wildlife Federation Fellowship.
Summer Rayne Oakes was also awarded the prestigious
Udall Scholarship, PCC Women's Research Award, and Baccalaureate
Service Award during her time in college. From there, Oakes has
transcended boundaries by seamlessly and simultaneously combining
her work and core values with her image. By September 2005, she
was able to tie in her vision more by founding her own think-tank
and consultancy company, SRO; launch the pilot stages of a curriculum
entitled Ecofashion 101; author her own editorial entitled
Behind the Label for global fashion magazine, Lucire;
speak at and spokesmodel at various venues from college campuses
to international cultural causes; publish articles on sustainability,
ecofashion, and social topics; and continue moving forward on related
ventures and business pursuits, including her budding career as
a host and director of environmentally-focused programmes.
Though the world is just unfolding and the path
is being carved every day, Summer Rayne will continue to move forward
with the same ethic she had when she was a young girl.
Notes to editors
Lucire is a registered trade mark of Jack Yan & Associates
and subject to protection in certain jurisdictions. Vanity Fair
is a registered trade mark of Advance Publications, Inc., and subject
to protection in certain jurisdictions. All other trade marks are
the properties of their respective owners and are only used in a
descriptive fashion without any intention to infringe.
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